Le coup de chapeau de Bruce Springsteen à Pete Townshend au concert MusiCares à New York

Ce blog sort d’un long silence radio pour faire écho au très émouvant et drôle coup de chapeau de Bruce Springsteen aux Who et à Pete Townshend lors du concert MusiCares au Best Buy Theater de Times Square à New York le 28 mai 2015. Joan Jett, Willie Nile et Roger Daltrey étaient aussi de la fête…

GRAMMYS-MUSICARES-2014-300x209 Voici des extraits de ce discours.

“I wouldn’t be windmilling a Fender Telecaster if it weren’t for Pete Townshend.”

“Pete’s got a long history of working hard and raising spirits and money for worthy causes… I could go on and tell you what Pete’s done for others, but I think I’ll tell you about what Pete’s done for me. It was the summer of ’66 or ’67, it was the first American tour that the who were on, and I’m on a long line snaking out of Convention Hall down the boardwalk. And in big type: ‘Herman’s Hermits!’ And then: ‘The Who!’ I was the young, pimply faced teenager who managed to [put together] enough money to see my first rock concert ever. Pete and the Who were young, pimply faced teenagers with a record contract, a tour and a rude, aggressive magic. They were on this tour, of all things, opening for Herman’s Hermits. There was no justice!

The first band out, I think, were the Blues Magoos. You folks remember the Blues Magoos? I don’t believe you. But they had a great song called ‘Ain’t Got Nothin’ Yet’ and these electric suits, and the suits lit up. And it was high level special effects for the time. Then the Who came out and they played for probably no more than thirty minutes. Pete, in a cloud of smoke, demolished his guitar, bashing it over and over into the floor and his amplifier. The audience was filled with a significant amount of teeny boppers waiting for [the Herman’s Hermits hit single] ‘Mrs. Brown, You’ve Got a Lovely Daughter.’ So they sat there with their mouths agape. Like, who are these guys? What are they doing? Why are they doing it? All I knew was that, for some reason, this music, and the demolishing of perfectly fine instruments, filled me with incredible joy. There was something wonderful about the wanton destruction of good, commercial property. It was the joy and giddiness of the riot, that the Who managed to safely attain. Semi-safely attain! But all I knew was that it made me happy and it thrilled and inspired me.

I was in a band called the Castiles, I was about 16 years old. We had a gig the next weekend at a Catholic school dance. So I went out and bought a smoke bomb and a strobe light and I brought them over to the gig. and as the night neared its end, I wasn’t able to smash my guitar [like Townshend] – it was the only one I had! – so I lit the smoke bomb in the Catholic school basement and turned on the strobe light and I climbed on top of my amplifier holding a vase of flowers that I stole from one of the upstairs classrooms, and with this huge flourish I raised the vase of flowers as the flickering, blinding strobe lit me, with smoke all around me, and as the nuns looked on in horror, I smashed them onto the dance floor. I jumped off the amp and stomped all over the petunias! The vase of flowers simply failed to have the grandeur of a newly minted Telecaster being smashed to splinters, but we worked with what we had. I went home smiling, feeling a blood bond with Pete Townshend, and I never looked back.

As I grew older, the Who’s music seemed to grow with me, the sexual frustration, the politics, the identity… these themes coursed through my veins with every concurant Who album. I always found myself there somewhere in their music. ‘The Seeker’ is the guy in ‘Born to Run.’ There’d be no “Down in Jungleland’ without Pete’s slashing bloody attack on his instrument. Pete is the greatest rhythm guitarist of all time. He showed you, you don’t have to play any lead. It’s an amazing thing to behold. Pete managed to take the dirty business of rock and roll and somehow make it spiritual and turn it into a quest. He may hate this, but he identified the place where it was noble, and he wasn’t afraid to go there. I took a lot of that with me as the years passed by. So Pete, I’m here to say, congratulations, well deserved, and thanks for not just Who’s Next and ‘Who Are You,’ but for who I am.”

Ci-dessous, le speech de Bruce Springsteen en vidéo.

Un hommage qui montre que Bruce Springsteen n’est pas rancunier car Pete Townshend l’avait brocardé il y a quelques semaines dans Rolling Stone !

Are you a fan of Bruce Springsteen? Do you ever check out his shows? I did in the early days, but not anymore. It’s a bit of blood and glory for me now. In what sense? Exactly the sense that sentence implies.

Vous trouverez un compte-rendu complet de ce concert, signé Stan Goldstein, en cliquant ici.

 

178 Réponses to “Le coup de chapeau de Bruce Springsteen à Pete Townshend au concert MusiCares à New York”

  1. Nicolas M. Says:

    Bonjour Laurent,
    Comme vous le savez les reprises des titres de Bruce Springsteen par des artistes français sont assez rares et peuvent se compter sur les doigts d’une main. Cependant êtes vous au courant que depuis quelques jours Warner music a mis en ligne une chanson interprétée par les chanteuses Tal et Irma qui n’est autre que Streets of Philadelphia.
    Cette chanson s’inscrit dans un album de reprises sur la thématique du cinéma intitulé « les stars font leur cinéma » visant à célébrer le 120 ème anniversaire du cinéma.
    N’étant pas fan de ces 2 chanteuses je tenais cependant à vous faire partager cette interprétation relativement étonnante et inattendue.
    Voici le lien pour l’écouter:
    Tal & Irma – Streets Of Philadelphia (Lyrics Video) : http://youtu.be/GyTCiVdsl0o

    Bonne journée

  2. ch Says:

    Joyeux noël Laurent….


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